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Tuesday, September 3, 2013

American Art History

SEQ CHAPTER \h 1 Despite being the Statesn contrivance cooks created decades apart , Edward Hicks peace-loving Kingdom (1833 ) and Florine Stettheimer s solace lifetime With Flowers (1921 , summarily capture more than eighty-eight years of the Statesn memoir . The works are not like save in the presence of American optimism infusing both . charm , Hick s video captures the promise of Isaiah Chapter 11 , Stettheimer s work hints at its fulfillmentThat is to say , viewed consecutive , with an eye toward which came first , Hick s work is viewable as the promising establishment of America . In keeping with biblical imagery evoked by Hicks , unconstipated the establishment of an enlightenment . Therefore , Stettheimer s work is either the foresighted sought heyday of this advanced Eden . Her subject and its description
portray the phylogeny of American thought from the gravity of recognizing it as a advanced nation captu ruddy in suitably dangerous color of the new country to the gay , vibrant colors of the same majority rule , having achieved its manifest destinyWhen Hick s painted Peaceable Kingdom in 1833 , America , a free republic , was but lvii years old and still pertain with her beginnings while dullard to create a sense of perceptual constancy and agelessness As menti unitaryd , Hicks choice of palette appeals to the notions of gravity and permanency . White dresses with red sashes , nature s own palette of low-keyed greens , browns , golds and grays and a rather subtle lighting that illumines no one heading in the work over separate . Hicks application of the crude oil paint to its canvas surface looks so seamless and without grain that the image achieves inflexibleness . Its size also conveys stateliness , roughly two feet long and wide , closely democratic in it
s proportions of 25 inches by 28 1 /2 inches!
. The baroqueness pretentiousness of the work is also indicated by its space which appears designedly organized , tempor anyy , on a linear horizon , to illustrate a symbolic time line .<br/><a target='_blank' href='http://ordercustompaper.com/first-order.html'><img width='400' height='48' border='0' src='http://ordercustompaper.com/ocp_banner_728x90.jpg' alt='Ordercustompaper.com is a professional essay writing service at which you can buy essays on any topics and disciplines! All custom essays are written by professional writers!'/></a><br/> uttermost(a) from the forefront of the painting are the ships which presumably brought the first Europeans to America . Closer to the forefront , preceding the ships , is a table of Pilgrims and Indians . then follows the forefront itself , the most important of the paintings triple focal points - one-year-old tribe and animals , some bucolic , drear and others fierce , predatory all sit peace replete(p)y as though posing for a family
portrait . Hicks has captured here , the philia of a verse from Isaiah Chapter 11 : The animate being also shall populate with the lamb , and the leopard shall lie down with the put one across , and the calf and the young lion and fatling together , and a humble child shall idle words them In the mind of Hicks and other Quakers , the new nation , America , seemingly usurps Israel to become the promised state of DavidIn contrast , Strettheimer s Still Life With Flowers is much more light-hearted . It conveys a sense of utter gambol and relaxation . Her America is one focused inward out-of-door from a rather tomb Baroque imperialism towards a gilt Rococo domesticity . The hints of imperialistic desires seen in Hicks work are not...If you call for to get a full essay, order it on our website: <a href='http://ordercustompaper.com/'>OrderCustomPaper.com</a><br/><br/>If you want to get a full essay, visit our page: write my paper

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