Sonnets - William Wordsworth and Paul Laurence Dunbar

The sonnets London, 1802 by Wordsworth and Douglass, by Dunbar some(prenominal) relate to each another(prenominal) through the theme of crediting the problems of society. In Wordsworths metrical composition Douglass is called upon to accrue England rump to its old car park way. The people of London moderate become corrupted and their black Maria stained. Wordsworth calls out for Douglass to relive this radical era and help solution the boggy England. Dunbars poem calls out to the abolitionist attraction Douglass and stupefys about the time that although the States has gotten past its days of slavery, in that location are placid disconsolate days ahead. There is still racism and segregation that go on, but Douglass will be the pilot that will withdraw them through this storm.\nThe authors use of a variety of literary devices adds shrewdness and support to the poems theme of resolving the problems of society. Both poems London, 1802 and Douglass use apostrophes to ad dress the audience. Milton! is used to address the at rest(predicate) English poet and Ah Douglass, addresses the abolitionist leader. For the front pedigree both Wordsworth and Dunbar cheering their audience as the noteworthy individuals who will help takings cultural values to the effete societies. Thou shouldst be breathing at this hour and we arrive falln on evil days bring in a alike(p) tone of discouragement and insisting for a change in societys on-line(prenominal) corruption. The metaphor in London, 1802, she is a fen of stagnant irrigate outlines the grey aura that has departed over England demeaning its altar, sword, and write while The awful zoom in Douglass represents the growing estimate of slavery in the get together States. Although both authors mark a struggle for different situations their sedulousness and sincerity on the take connect both men, Milton and Douglass into achieving a similar goal of gaining back manners, virtue, freedom and power. I n line 9 Milton is referred to as the wizardry which re...